Scenario 1
Two small format cameras: I will take both, one for using and one for back-up.
Polarising filter: In the case that the artwork may be covered with glass, or if oil paint is used, in order to remove/reduce the reflections.
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50mm lens: For medium sized paintings.
90mm tilt-shift lens: For larger paintings. The tilt-shift would be ideal for when the larger paintings go high up and i might not be able to reach high enough with the tripod.
100mm macro lens: To capture the detail of the paintings and to use for smaller paintings. Can also be used as prime 100mm lens
Transportable studio flash gear: I don’t know the setup or the lighting of the gallery, therefore i will need to be able to take control of the lighting conditions. This will prevent unwanted shadows or light spilling from nearby sources. I don’t know the range in size of the paintings, so i chose these over the portable flash units in the case that there might be very large paintings.
Tripod: I will take a tripod to allow for smaller apertures. this will also support the tilt-shift’s slow shutter speed.
Scenario 2
Two small format cameras: I will take both, one for using and one for back-up.
100mm macro lens: Close-up work will be done and this lens will capture any fine detail on the soup packets
Polarising filter: The glossy finish on the packaging will definitely create a reflection, this filter will remove/reduce the reflection of the packaging.?Scenario 1
Two small format cameras: I will take both, one for using and one for back-up.
Polarising filter: In the case that the artwork may be covered with glass, or if oil paint is used, in order to remove/reduce the reflections.
50mm lens: For medium sized paintings.
90mm tilt-shift lens: For larger paintings. The tilt-shift would be ideal for when the larger paintings go high up and i might not be able to reach high enough with the tripod.
100mm macro lens: To capture the detail of the paintings and to use for smaller…